This is one of those issues in the film/television world that I have mixed feelings about. (I could probably do a rant video about it, but I doubt anyone really wants to see that.) The article wants people to believe it's all about sexism, but it has nothing to do with being a woman - there are plenty of men who design clothing (but they do seem to gravitate more to theatre & fashion). It's simply about being an artist working under the umbrella of a film production, and costume designers are in the weird & unusual position of being upper level yet crew at the same time since their work is so intertwined with the stars on screen.
On one hand, it really stinks for a costume designer not to be included in the merchandise and fashion lines based on their designs. Costume designers never get the protections that fashion designers get because producers and everyone above the line (which means name and position typed "above the Line Producer" on a production call sheet) think they own anything and everything created for a movie since they're the investors of the production.
But on the other hand, it's major hypocrisy because most designers treat the costume teams that physically build their designs the same way - we are the invisible worker-bees who don't get credit and are told the designer owns our work. I know a designer who thinks those of us who actually build the costumes shouldn't be allowed to share photos of our work behind the scenes (like a close up of my hand-stitches or a even a pretty button) because only the designer owns the rights to those photos, even if it's just an old stock costume.
Anyone who works in a creative position is used to working multiple jobs from multiple angles and to try to make money however they can. The higher-ups in film production tend to have more stable employment and a much larger hiring pool to pull from (it's more corporate), but the skilled positions are much more niche and less permanent/long-term. Most crew are freelancers.
No one ever bothers to mention the existence of the no-name designers who create the fashion line based on the movie costumes designed by the well-known costume designer. So why do some people think they deserve so much more credit and name recognition anyway?
It all boils down to people who don't have skills wanting to make money off those who do. And in the creative fields where so much of it is art, it somehow seems extra unfair.
#lifeasacostumer
I spent the day priming things for paint and then I remembered to shoot a quick video. #SewingStudioBuild
I started cutting all the edges while Janet was away yesterday morning. When she got back after lunch, she pulled out a roller and started filling in. I'll put a pic below in the comments. #SewingStudioBuild
We broke for lunch and then came back with a portal ac unit plugged in to an extention cord from the house. Can't wait until they finished hooking up all the electrical and we have the mini split cooling the room for us - it was stupid humid today! #SewingStudioBuild
Nice slow Saturday moving triangles from one pile to another after voting this morning. I have pumpkin pies to make later for tomorrow's church potluck (Octoberfest/Reformation day celebration).
#epp
Bernadette has a "tips for buying fabric online" vid (and a previous vid on fabric weights from last week) up. The excel sheet she's put up looks useful.
IME - you get what you pay for. Every time I've bought a "bargain" fabric online I have regretted it.
I went drooling online yday and now I feel a need to go to BBlacks&Son in person but I will need a bodyguard. -sigh- They have (or, at least they used to have) a lot of fabrics that don't get on their website. Yummy, historic store... anyway, I digress.
I’m trying to figure out if I should do something to jazz up this very grandpa-looking cardigan I’m currently sewing. Maybe this was the wrong fabric to do a tie front/shawl collar with! But since this fabric came from my last year’s birthday mystery bundle, I want to try to see this through. The options I’ve played with so far are some kind of embellishment from my huge vintage button stash (I think the white ones are too ivory-yellow tone to work, but the darker ones could be interesting if I can figure out a better configuration), or trim (picture 3), or some kind of embroidery or scrap denim flowers or something? (no sample). Or I could take the collar off entirely? I need to figure out the edge finishing either way, because I forgot to cut the facing pieces (thanks Big 4) and I’m piecing together scraps to see what I can come up with. I also had to piece the collar and back it with a piece of jersey because I really did not have enough yardage to make anything useful to ...