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Costume Designer not included in merchandising deal

This is one of those issues in the film/television world that I have mixed feelings about. (I could probably do a rant video about it, but I doubt anyone really wants to see that.) The article wants people to believe it's all about sexism, but it has nothing to do with being a woman - there are plenty of men who design clothing (but they do seem to gravitate more to theatre & fashion). It's simply about being an artist working under the umbrella of a film production, and costume designers are in the weird & unusual position of being upper level yet crew at the same time since their work is so intertwined with the stars on screen.

On one hand, it really stinks for a costume designer not to be included in the merchandise and fashion lines based on their designs. Costume designers never get the protections that fashion designers get because producers and everyone above the line (which means name and position typed "above the Line Producer" on a production call sheet) think they own anything and everything created for a movie since they're the investors of the production.

But on the other hand, it's major hypocrisy because most designers treat the costume teams that physically build their designs the same way - we are the invisible worker-bees who don't get credit and are told the designer owns our work. I know a designer who thinks those of us who actually build the costumes shouldn't be allowed to share photos of our work behind the scenes (like a close up of my hand-stitches or a even a pretty button) because only the designer owns the rights to those photos, even if it's just an old stock costume.

Anyone who works in a creative position is used to working multiple jobs from multiple angles and to try to make money however they can. The higher-ups in film production tend to have more stable employment and a much larger hiring pool to pull from (it's more corporate), but the skilled positions are much more niche and less permanent/long-term. Most crew are freelancers.

No one ever bothers to mention the existence of the no-name designers who create the fashion line based on the movie costumes designed by the well-known costume designer. So why do some people think they deserve so much more credit and name recognition anyway?

It all boils down to people who don't have skills wanting to make money off those who do. And in the creative fields where so much of it is art, it somehow seems extra unfair.

#lifeasacostumer

https://variety.com/2021/artisans/global/cruella-costume-designers-licensing-disney-jenny-beavan-1234986629/

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Studio video tour!

I spent the day priming things for paint and then I remembered to shoot a quick video. #SewingStudioBuild

00:03:06
Paint!

I started cutting all the edges while Janet was away yesterday morning. When she got back after lunch, she pulled out a roller and started filling in. I'll put a pic below in the comments. #SewingStudioBuild

00:02:15
Time-lapse floor install (part 2)

We broke for lunch and then came back with a portal ac unit plugged in to an extention cord from the house. Can't wait until they finished hooking up all the electrical and we have the mini split cooling the room for us - it was stupid humid today! #SewingStudioBuild

00:03:11
September 13, 2026

YIKESSSSSSSSSSSSSS....... Folkwear Croatian Shirt Faillll...
I thought, "This shirt has no fitting whatsoever. Surely I don't need to muslin this, just use my measurements... " HA.

I'm sending you to the link b/c I think you should know about patternreview.com if you don't. But yikes.
https://sewing.patternreview.com/review/pattern/208009

Oh, I got the fabric from a deadstock place in Singapore (which ickily shipped from China) and I'm 75% pleased with that. The fabric is super comfy and soft, and it showed up quickly... but there were a couple of holes. Bubbo, fwiw.

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The Plan

So this is my plan for all those fabric covered triangles. Make eleventy million little triangles into a million slightly bigger triangles. Then make those into a bunch of hexagons and put them all together into a giant hexagon.

The last photo is my "map" once I've made all the triangles. Colored outlines are just so I can see the hexagons because I'll get better joins at the points if I assemble like this instead of long straight runs of rows of triangles. Plus it will be easier to hold smaller sections as I hand-stitch.

I think I only have about 150 papers left to cover with fabric, but I need to start laying what I have out to see if I need any specific colors (maybe some lighter highlights).

Any guesses what my inspiration is? I'll put the answer/photo in the comments.

#epp

My current pile of triangles

I cut more fabric triangles and am in the process of basting them to the papers. We'll see how many more I need after I baste these. I'm guessing I'll still have about 200 or more papers left.

#epp

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